Its No Accident....Part 2
Andy Sharrocks...Continued.
The
stuff you are doing these days has a great vibe to it.
What was the inspiration for this style of playing?
Well
a lot of it is not new, I was writing like this when I was playing with
Accident,
but it wasn’t the right stuff to present to them at the time. I
didn’t know what it was
– I had been digging the blues since I was five years old and heard
The Rolling Stones
second album. Then I heard Steve Earle in 87, and the jigsaw fit
together. It’s Americana,
the middle ground where blues meets country meets Cajun meets zydeco,
with a
sprinkling of soul for feeling. These days I love the sound of
acoustic guitars, banjo’s
mandolins fiddles, organic sounds, there is such a history to it
all. A music which
travelled from Scotland and Ireeland, meeting up with French sounds
in the swamps
of Louisiana, and there meeting the blues. There is nothing
groundbreaking or new
with my writing, but I like to think it is like an old friend,
that’s why I called the album
Walking In Familiar Footsteps. I write a lot. I have two albums
worth of material
ready to go, one of them was the one I went to The States to record
.
I am going to do an acoustic album now, same songs only with Rodney
Culture on
Cajon (Spanish for box, it sounds like a kick and snare) and Captain
Bliss on blues harp,
and of course The Reverent Paul Green on electric/acoustic guitar. I
think it is the
right time for it, think I might call it Banned In The USA. You
asked about inspiration,
I like to tell story’s in my writing, usually about underdogs, and
one off the album about
a real dog. A lot of people seem to relate to my lyrics which is
good. One in particular
about serial adultery called Dirt, I always get people coming up
saying great lyrics,
a lot of unfaithful people about I guess. I still like a rawness to
the production, and I still
go with punk ethic of do it yourself. Don’t wait for some wanker in
a record company
to endorse you’re your music, or you may wait forever, you need to
get it out to the
people, and with the internet the record companies are on the run
anyway.

Who have you played with recently, and where are you based these days?
Well
as I just said I play with The Reverent Paul Green, who has played with
Screamin Lord Sutch and Suzy Quatro amongst others, and is one of
the best
blues /country players around. Rodney Culture on cajon, and possibly
in the future drums.
Rodney is a dread, who had played nothing but roots reggae before he
started
playing with me. I wanted a drummer with movement/swing instead of a
rock drummer
who just nail everything, I wanted a drummer behind and in front of
the beat, and
being a reggae drummer Rodney had the fluidity, a marriage of
musical cultures
and it really works. He was amazed at my knowledge of roots reggae
which came
from my good old punk days, I am now teaching him about blues and
country and
he can’t believe how much he loves it. Captain Bliss I met when me
Paul and Rodney
did a support for Alabama 3 in Brixton last year. He also plays with
Hey Negrita, and
Spotlight Cannibal. He loves playing harp with anyone and has got to
be one the country’s
top harp players. I sometimes work with Huskie Jack, who is a great
slide and country picker.
I am very lucky to be surrounded by such great players, all with a
love for the music.
We have a supported Alabama 3, Denny Laine, from Paul McCartneys
Wings,
Buddy Whittington (John Mayalls Guitarist) and we are about to
support John Mayall
at The Jazz Café in Camden town, and I’m just waiting for
confirmation of an Alabama 3
support at The Roundhouse in August, so all is good. I live in
London these days,
I was in Camden Town for six years but got fed up with being burgled
(6 times in 6 years).
I now live in Finchley. I love London, feel like I have come home.
Any plans on recording
the new album over here, seeing as the authorities in the states are
completely paranoid these days?
I am
definitely going to record my new album, if only to say up yours to the
American
Immigration Bureau. It’s going to be good, more songs of death and
betrayal.
I am going to record it live in Sensible Studios in Holloway, where
Amy Whinehouse
and Duffy Recorded their albums, using the same engineer John Moon.
He is a fantastic engineer, we have done some recording with him
already, he instinctively
knows what we want, and he loved it when we all set up in the same
room and played.
I hope to have it out by the end of July.
Do you think you’ll ever return to Rochdale to play?
I
would definitely return to Rochdale to play, although I don’t know if
there is anyone
around who would remember me. I’d love to play at the college, I
quite often have
fantasy’s about it, yes I know I should get a life, but if anybody
would like to offer
me a gig, I’m willing and able.

Where can our readers find out more about you, and indeed, Accident On The East Lancs?
To
find out more and to here new tunes and the odd video, and even a novel
I wrote
people should check out
www.myspace.com/andysharrocks there is a link on there
to Detour Records, for some photo’s of Accident On The East Lancs.
Detour Records have helped re release both the singles and The
cassette album
Shotguns And Hotshots on vinyl, thanks Dizzy. For some good
authentic punk
check out their website
www.detourrecords.com
and I think
www.binlinerrecords.com
I am on various other sites,
www.showcaseyourmusic.com/andysharrocks
There is also a good piece on Accident in Alex Oggies book No
More Heroes,
a great read for any punk officianado. Accident were recently
featured in Record Collectors
magazine – a punk special, It was number 74 of the top 100 rarest
punk singles,
up there with The Pistols and The Clash, I was well chuffed.
Ok, many thanks for taking time out to be interviewed, I remember
standing watching
you play at the College gigs organised by Eddie Clydejs and Chris
Hewitt from
Tractor Records, and this has just taken me right back there…so
thanks man!
Ah
Eddie Klejdis one of the fallen, so many people from back in day no
longer with us.
Eddie used to drive Accident around a lot. I remember opening my
door on
John Street to Eddie, who unloaded six bullets in to me a t point
blank range,
lucky for me they were blanks, although he nearly gave me a fucking
heart attack.
Once we were playing Outside Rochdale Town Hall, and Eddie got a
wrecked ford
Capri from The scrap yard, got it on stage somehow, and then blew it
up whilst
we were playing, again narrowly missing killing me, the boy was a
maniac, but a lovable maniac.
Chris it has been my pleasure speaking to you, it has brought some good memories back to me too.
